Literature & Writer, Poet

A BIOGRAPHY OF JIBANANANDA DAS

Biography of Jibanananda Das

Bengali poet, novelist, and writer

(17 February 1899–22 October 1954)

Jibanananda Das is a Bengali poet, novelist, and author. Although not widely recognized during his lifetime, he is now considered one of the greatest poets after Tagore. Jibanananda Das began composing poetry at an early age and later released many volumes of his work, notably “Banalata Sen” and “Rupasi Bangla.”

Although he found joy daily, he also suffered from sorrow throughout his existence. In the books he wrote, the discontent, the rage, and the melancholy were all evident. He is well known among Bengali poetry enthusiasts for his unusual likeness and introverted poetic personality.

Life of "Jibanananda Das" At a Glance

  • Known For: Jibananda Das was one of the most prominent contemporary Bengali poets and authors of the 20th century. He was well known as one of the founding figures of modern Bangla poetry.

    Born: February 17, 1899

    Birthplace: Barisal, British India (now Bangladesh)

    Father: Satyananda Das

    Mother: Kusumakumari Devi

    Siblings:

    ➢ Brahmananda Dashgupta

    ➢ Ashokananda Das

    ➢ Sucharita Das

    Nationality: Indian-British (1899–1947) and Indian (1947–1954)

    Native Language: Bengal

    Spouse: Labanyaprabhai Das (m. 1930–1954)

    Children: 

    ➢ Manjushree Das

    ➢ Samarananda Das

    Death: October 22, 1954, in Calcutta (aged 55)

Early Life

Jibanananda Das was born in 1899 in the district town of Barishal, now a part of Bangladesh. Bikrampur Pargana in the Dhaka district was where his forefathers lived. Sarananda Das Gupta (1938–1985), his grandfather, moved to Bikrampuratha and resided in Barisal. In his final years of life, Sarbananda found solace in the Brahma faith despite being a Hindu at birth.

Jibanananda’s father, Satyananda Das, was a well-known Brahma Samaj member, as was his mother, Kusumkumari Devi. Although Kusumkumari Das, Jibanananda’s mother, was a domestic worker, she also penned poetry. In addition, Satyananda Dasgupta (1863–1942) taught and wrote at Barisal Brajamohan School. 

Jibananda Das was the eldest among the three kids of Satyananda Das and Kusumkumari Devi. Ashokananda Dasa and Sucharita Dasa, the daughter of Jibanananda, came after him. Milu was his alias. 

Milu’s early schooling began within his household because his father resisted Milu’s enrollment in school when he was still a little child. Every morning, the father reads the Upanishads aloud.Despite Milu’s reserved nature, he loved swimming, gardening, sports, and travel. He has taken many trips with his uncle ever since he was a little boy. Jibanananda once went through a difficult illness as a child. Mother and her grandmother traveled to cities like Laxmou, Agra, and Delhi with the poet Chandranath of the Song of Laughter to discuss health reform.

Education

Jibananda was eight years old when entering Brojomohon School in January 1908. His dad objected to enrolling him in school too early, which caused the holdup. As a result, Jibanananda continued his primary education primarily at home, with his mother as his teacher. During his school days, he began writing in both Bangla and English. Jibananda painted his paintings regularly during that period. Generally speaking, his time in school went smoothly.

He graduated from Brajamohan School in 1915 with a first-class grade. The poet left Barisal for Calcutta and applied for admission after getting the same results from Brajamohan College in the Intermediate test that it had received two years earlier.

In 1919, Das graduated from Presidential College with a BA in English with honors. This year saw the publication of his debut poem, “Borsho Abahon” (Arrival of the New Year). His academic career at City College began the following year after he completed his MA from Calcutta University in 1921. He obtained a second class at the University of Calcutta in 1921 while completing his MA in English. 

In addition, he was pursuing law. He was then residing in the nearby Hardinge student residences. He contracted bacillary dysentery right before the tests, which hampered his ability to focus on his studies.

Career

Jibanananda Das started his career in 1922 as an English professor at Calcutta City College. Nevertheless, he was only employed there briefly. Jibanananda then taught for a little while at Khulna Bagerhat College before spending a year at Delhi’s Ramyas College.  The poet started as a professor at BM College in Barisal in 1935. 

Jibanananda decided to visit Calcutta years later. Partition attested to his presence in Calcutta. He had to remain jobless for a considerable amount of time. He started working as a professor at Kharagpur College in 1950 but resigned due to his wife’s illness. 

After working at Barisha College, Jibanananda started teaching at Howrah Girls College. During this time, he held positions as the literary editor of Swaraj and a member of the editorial board of Dvandra, a publication run by the Calcutta-based Samakalin Sahitya Kendra.

Literary Creation and Challenges

In his teenage years, Jibanananda Das enjoyed writing poetry. 1919 saw the Brahmabadi release Varsa Abahan, his debut poem. In Kolkata, Das began his career as a teacher after completing his education at the University of Calcutta. He kept writing and publishing poems throughout this period, and the Bengali literary scene quickly grew to love his works. Nevertheless, Das lived a life of solitude and avoided the spotlight despite his fame and fortune

Jibananand’s writing career started to take shape. He wrote a poem called “Deshbandhu Prayane” in tribute to Deshbandhu Chittaranjan Das in Bangabani following his passing in June 1925. After that, the poem appeared in Jhara Pal, his first book of poetry. “This Brahmin poem must have been written under the pseudonym of an established poet,” poet Kalidas Roy said after reading the poem. 

The controversy surrounding the Holy Prophet Kalimohan Das was the subject of Jibanananda’s first essay, published in 1925 and serialized in three issues of the Brahmanical journal. That same year, the poem “Nilima” came out in Kollol, garnering the interest of numerous youths. His pieces became steadily published in a variety of literary publications in Kolkata, Dhaka, and other cities. Notable journals from this era include Kallol, Kali and Pen, Pragati, etc. The initial volume of Kabir’s poetry appeared in 1927. He removed Das Gupta after that and began writing Das.

In 1927, he released Jhara Palok (Fallen Feathers), his debut collection of poetry. After a few months, Jibanananda got fired from his position at the City College. The college had experienced student unrest over a religious holiday, which harmed enrollment. Jibanananda, a professor who is still only in his late 20s, received the harshest criticism for being so young. Additionally, he was the target of frequent criticism in Calcutta’s literary community. In the criticism sections of Shanibarer Chithi (the Saturday Letter) magazine, Sajanikanta Das, one of that period’s most committed literary critics, started to write harsh criticisms of his poetry. 

Jibanananda departed Calcutta and traveled to Bagerhat, where he enrolled in the Bagerhat P C college before leaving. Immediately following that, he traveled to Calcutta in 1929 to enroll in Ramjas College. However, his marriage in Barisal prevented him from going to Delhi to resign. Even though Jibanananda eventually found work as a lecturer in the English department at Calcutta University, he spent a significant amount of his life feeling unemployed and depressed. 

It wasn’t long before he borrowed money from his younger brother to run his business, but it didn’t last. Jibananda’s poverty did not cause family strife at the time because his father was still alive, and his wife lived in Barisal.

During this time, Das published his most controversial poem. An artistic uprising quickly ensued after Sudhindranath Dutta’s Porichoy magazine published Camp’e (At the Camp). The poem’s apparent theme was a moonlit deer hunt. But, many accused him of promoting sexual immorality through his poetry. He began using the short narrative format in secret more and more. 

He composed the poetry that would serve as the foundation of the Ruposhi Bangla collection in 1934. Ruposhi Bangla was not published until 1957, three years after his death, and no one knew about these poems when he was still alive. 

Personal Life

Shobhona, the niece of Jibanananda’s uncle Atulchandra Das, captured the young man’s heart. Jibanananda never specifically referred to Shobhona by name, but he wrote his debut collection of poems to her. In his opinion, it was improper to marry them.

Nevertheless, the poet wed Labanyaprabha Das in 1930. Jibanananda lost any possibility of a harmonious marriage when a personality conflict broke out. His wife and he remained apart forever. 

There was hardly any closeness with the wife. Even though she was aware that Jibanananda was in critical condition following the tram accident on October 14, 1954, Lavanya Prabha only had one encounter with her husband before she passed away. They had two kids: a son named Samarananda and a daughter named Manjushri.

Legacy

The poetry of Jibanananda Das is renowned for its lively metaphors and its utilization of natural phenomena to provoke inner emotions and mental states. In addition to using aspects of Bengal’s countryside in his poems, he frequently writes casually. His distinctive poetic idiom, which leaned on history while being shockingly fresh, was an artist of word images. His poetry frequently makes oblique allusions to Hinduism and Buddhism, which is another way his writings reveal his deep appreciation of philosophy and spirituality. 

In Bengali literature, Jibanananda was one of the founding figures of contemporary poetry. He was one of the foremost gifted poets in Bengali literature who emerged after Rabindranath Tagore. The writing had a very contemporary tone.

Das entered the Bengali literary landscape at this point. Jibanananda Das’ ability to fit in with the group suggests that he did not have to try very hard, which tips the scales in his favor. He became a well-known author thanks to the distinctive poetry style he developed.

Jibanananda, who beautifully described the grandeur of rural Bengal in Rupasi Bangla and earned the moniker of Rupasi Banglar Kavi (Poet of Beautiful Bengal), embraced Rabindranath’s profound love of Mother Nature. 

Historical allusions abound in Das’ poetry, with works like ‘Windy Night’ mentioning Babylon, Phoenicia, and Assyria. Few poets would surpass his ability to combine the regional with the universal in their poetry. 

In his early works, Jibanananda drew inspiration from Satyendranath Dutta, Mohitlal Majumder, and Kazi Nazrul Islam. To become a significant voice in Bangla poetry, he overcame these influences. However, as opposed to Rabindranath, additionally depicted the desperation, annoyance, and isolation of contemporary metropolitan existence in his writings. 

Another crucial aspect of his lyrical brilliance is contemplation. His poetry combines the nostalgia of the past with present-day concerns. His poetry heavily impacted other poets, and many of them have a prose-like quality.

Recognition

Jibanananda had a reputation as a master poet his entire life, but he never succeeded in becoming well-known. However, he gained recognition as a key figure in contemporary Bengali poetry not long after his death. Many writers write and publish Bengali books about Jibanananda Das’s poetry and life.    

A Poet Apart by Clinton B. Silly also contains an essay about him in English. Other European languages, such as French, have also translated some of his poetry. Since he died in 2009, a significant number of his writings, including 14 novels and hundreds of short stories, have been discovered.

Awards

In 1953, Banalata Sen received a prize from the Nikhil Banga Rabindra Sahitya Sammelan, also called the All Bengal Rabindra Literature Convention. In 1954, Jibanananda Dasher Shrestha Kavita won the Sahitya Academy Award.

Famous Work

The most well-known pieces by Jibanananda Das are Jhora Palok, Dhushor Pandulipi, Bonolota Sen, Mohaprithibi, Shaat-ti Tarar Timir, Shrestha Kobita, and Ruposhi Bangla. Samalochana Samagra, published in 1983 and 1986, is one of his excellent books as well. In 1944, Keno Likhi released a piece of autobiographical writing.

Malyaban (1973) and Sutirtha (1977) represent two of Jibanananda Das’ popular works. Both the subjects and the writing style of these novels were unique. Before adding the books Jibanananda Daser Galpa (1972) and Jibanananda Daser Sreshtha Galpa (1989), his short stories received editing by others.

Death

On October 17, 1954, a fast tram crushed poet Jibanananda Das in South Kolkata’s Rashbehari Avenue, fatally injuring him in the ensuing collision. There were fractures and crushes in the thighs and ribs.  The proprietor of the closest tea store, Churnal, as well as other people who had come to Jibanananda’s aid after he became seriously hurt, sped over to the scene and saved him. 

At Shambhinath Pandit Hospital, he received treatment. Life was slowly getting more and more difficult. On October 22, 1954, at the Calcutta Hospital Shambhunath Pandit, at 11:35 p.m., he passed away despite the best efforts of the medical staff. The Keoratola Crematory performed his cremation the next day.

There was widespread speculation that the main reason for the crash was thoughts of committing suicide. Witnesses said Jibanananda continued to speed after a tramcar blew its whistle. According to some, the crash was an act of suicide.

Conclusion

Jibanananda Das’ untimely death was a huge blow to the Bengali literary scene, but his influence lives on in the form of his works, which are still read and appreciated on a global scale.

In his poetry, nature has evolved in a lovely way. Women appeared in his poetry as well as in the natural world. Often Shaswati, occasionally Suranjana, and occasionally Banalata Sen. It is still deeply ingrained in everyone’s memory. Jibanananda, the “poet of beautiful Bengal,” captured nature’s breathtaking beauty in his poetry. Jibanananda Das produced a total of 126 short tales and 21 novels.

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এই ওয়েবসাইটের সমস্ত বিষয়বস্তু সরল বিশ্বাসে এবং শুধুমাত্র সাধারণ তথ্যের উদ্দেশ্যে প্রদান করা হয়েছে। একটি জীবনী তথ্যের সম্পূর্ণতা, নির্ভরযোগ্যতা বা সঠিকতা সম্পর্কে কোন গ্যারান্টি দেয় না। এই ওয়েবসাইটের উপাদানের ফলস্বরূপ আপনি যে কোনও পদক্ষেপ গ্রহণ করেন তা সম্পূর্ণরূপে আপনার নিজের ঝুঁকিতে। একটি জীবনী আমাদের ওয়েবসাইট ব্যবহার করার ফলে কোনো ক্ষতি বা ক্ষতির জন্য দায়ী নয়।